Derniers exemples et bonnes pratiques de prompts de génération vidéo Seedance

A colorful 3D cartoon advertisement, playful energy, vibrant lighting. Shot 1 (0–2s): Dull office scene, person tired, low saturation colors. Shot 2 (2–4s): Close-up — hand grabs bright juice box. Shot 3 (4–6s): Drinks — sudden burst of color explosion around. Shot 4 (6–8s): Environment transforms into fun animated world, fruits bouncing. Shot 5 (8–10s): Character dancing energetically with animated objects. Shot 6 (10–12s): Juice box floating in air, glowing. Shot 7 (12–15s): Hero shot — product centered, vibrant background, clean finish. Style: glossy textures, bright colors, smooth animation, energetic pacing.

[CINEMATIC SETUP] Film Style: Photorealistic 8K, 50mm anamorphic. Brass desk lamp casting hard amber light from screen-left onto a walnut desk. Fast editorial montage — snap-zoom between globe surface and civilization vignettes. Camera: Locked on desk for globe shots. Snap-zoom push-in for vignettes, snap-zoom pull-out to return. [TIMELINE — MONTAGE] 0-1s: DESK. A detailed globe on a walnut desk under lamp light. A hand spins it. 1-3s: Globe stops on Middle East. Snap-zoom in — painted surface dissolves into photorealistic aerial of irrigated farmland, ziggurats, oxen plowing mud. Golden dust. SFX: wind, chanting. 3-5s: Snap back to desk. Hand flicks globe. Stops on Africa. Snap-zoom in — ground-level view of Djenne mud mosque, gold traders crossing a market square, indigo-robed horsemen. SFX: drums, chatter. 5-7s: Snap back. Spin. Stops on South America. Snap-zoom — Machu Picchu at sunrise, terraces descending into cloud forest, condors circling. SFX: mountain wind, distant flute. 7-9s: Snap back. Spin. Stops on Europe. Snap-zoom — medieval battlefield, cavalry charging across mud, siege towers rolling toward a fortress, catapult arcs. SFX: hooves, metal clash. 9-11s: Snap back. Spin faster. Stops on East Asia. Snap-zoom — coastal trading port, wooden junks in harbor, silk bales on a wharf, fireworks above a pagoda. SFX: firecrackers, bells. 11-13s: Snap back. Hard spin. Stops on North America. Snap-zoom — Manhattan assembling in timelapse, steel girders rising, bridges spanning, electric lights flooding the grid. SFX: riveting, electric hum. 13-15s: Snap back. Hand lifts globe off stand. Lamp flickers off. Globe dissolves into photorealistic Earth from orbit — city lights blazing, a rocket trail arcing into space. Hand opens, Earth floats free. SFX: silence, single low tone. [QUALITY] Photorealistic 8K. Desk consistent as anchor between vignettes. Snap-zoom bridges painted globe to real landscape through shared geography. Each vignette 3-4 details, one primary motion. No text overlays. Consistent lamp color on desk returns.

A stylish woman stands in the center of a clean studio space wearing an elegant flowing gown, she spins once and the dress color changes instantly from black to red to gold to icy blue in rapid succession, fabric moving beautifully, glossy lighting, smooth fast camera orbit, luxurious and hypnotic fashion visual, no face drift, no dress deformation, no extra arms.

15-second Original Desert Martial Arts Short Film: A black cat warrior in light armor stands alone in a desert where yellow sand is flying all over the sky, facing the pursuers. The shots combine slow motion and fast editing; under backlight, the yellow sand rolls like ink mist. The character's movements are elegant yet ferocious, with tattered but flowing robes. Holding a short weapon, he shuttles and counterattacks at high speed. The overall tone is cold, lonely and oppressive, with high-end colors and obvious shallow depth of field, just like a high-quality oriental martial arts movie.

A cinematic street racing scene at night, a silver sports car drifts through a neon-lit city intersection, sparks flying from the tires, smoke trailing behind, the driver sharply turns the wheel and accelerates toward the camera, fast dolly tracking shot, low-angle wheel close-up, then a rapid whip pan transition to a wide aerial shot of the car speeding through rain-slick streets, dramatic motion blur, intense reflections, adrenaline-filled atmosphere, realistic lighting, high contrast, premium action movie style, smooth camera motion, consistent vehicle shape, no deformation, no extra cars merging into the subject, ultra-detailed.

15s / MULTI-SHOT / Assembly progression STYLE: Clean stylized cartoon, smooth object motion COLOR LOGIC: Soft neutral palette, gradual color fill SUBJECTS: Single character standing still while room forms around them ENVIRONMENT: Empty white void transforming into full room MOOD: Curiosity → satisfaction → completeness SCENE: SHOT 1 (00:00–00:02) Character standing in empty white space. SHOT 2 (00:02–00:04) Floor tiles slide in from all directions beneath feet. SHOT 3 (00:04–00:07) Walls rise upward like panels locking into place. SHOT 4 (00:07–00:10) Furniture assembles mid-air and drops perfectly into position. SHOT 5 (00:10–00:12) Lighting turns on, shadows appear, space feels real. SHOT 6 (00:12–00:15) Character sits naturally as if room always existed. EXCLUDE: No floating randomness, all motion must be purposeful and aligned.

Dawn light floods Whispering Peaks Monastery courtyard, monks in crimson robes mid-ritual as Captain Aurelius Blackwood, in a burgundy velvet coat, stands at the base of the steep staircase. Low, close-up camera captures a monumental climb as he draws his sword, sprints up, boots echoing on ancient stone. Midway, he leaps off the crumbling archway, grabs the prayer flag rope, and swings over a twenty-foot drop, camera tracking his arc urgently. At peak, he releases, crashing onto a narrow terrace, rolling to a knee, sword ready, eyes fierce. Off-screen voice shouts CUT, scene elements soften. Camera slow pullback reveals set edges – a painted green-screen panel, crew amid lighting rigs, and camera dollies. Blackwood exhales, drops sword, fans face with tricorn hat, accepts towel, water from crew member. He chuckles, drinks, glances at the artificial monastery under studio lights. Initially tight on Blackwood, low-angle camera tracks movements, gradually widening to show industrial Hollywood soundstage scale. Golden light within the set cools as the reveal progresses, shifting from warm amber to flat white-gray of studio illumination, fog effects, and fluttering flags hinting at behind-the-scenes efforts. Soundscape of boots, rope creaks, rushing wind shifts to studio silence post-CUT, ambient crew sounds punctuated by water bottle cap click. Final frame captures monastery mini-set, warm gold glow against filmmaking machinery backdrop. Blackwood mid-frame, relaxed, back half-turned, water bottle in hand, towel over shoulder, coat details catching overhead light, while a monk in crimson robe checks phone — quiet end to the now dissolved illusion.

A stylized 3D animated fantasy adventure with a cute brave young explorer, big expressive eyes, small backpack, colorful outfit, magical forest environment, playful cinematic lighting, high-quality 3D animation, charming family-friendly tone, exciting action, clear storytelling, dynamic framing, cute but epic mood, hard cuts only, no fade, no dissolve, no morph transition Shot 1: Wide shot of a cute young adventurer entering an enchanted forest, glowing plants, floating fireflies, curious expression Cut to Shot 2: The hero finds an old treasure map glowing on a stone altar, eyes lighting up with excitement Cut to Shot 3: Medium shot of the hero running through the forest, jumping over roots and ducking under branches Cut to Shot 4: The hero arrives at a mysterious cave hidden behind vines, golden light glowing from inside Cut to Shot 5: Inside the cave, a funny but dangerous witch appears in a swirl of green magic, blocking the treasure chest Cut to Shot 6: Action shot, the hero dodges a magical spell and uses a glowing crystal slingshot or magic charm to fight back Cut to Shot 7: The witch is defeated in a burst of sparkles, her broom spinning away harmlessly Cut to Shot 8: The hero opens the treasure chest and finds a glowing magical gem and piles of gold Cut to Shot 9: Final heroic shot of the cute adventurer holding the treasure proudly at the cave entrance as sunlight breaks through the trees

Bullet time effect. A young woman in a mustard-yellow jumpsuit slipping and falling backward on a suburban sidewalk in front of a modest house with a wooden fence. A banana peel lies on the ground beneath her, implying the cause of the fall. Groceries burst out of a paper bag mid-air—fresh vegetables, tomatoes, oranges, leafy greens, a baguette, and an egg carton—all suspended in perfect stillness. Her body is tilted horizontally, limbs flailing, facial expression shocked and wide-eyed. All objects—food, packaging, and debris—are frozen in time, floating around her. The environment remains completely still while the camera smoothly orbits 360 degrees at a low angle, emphasizing the dramatic fall. Cinematic composition, overcast natural lighting, shallow depth of field, slight wide-angle lens distortion for dynamic perspective, highly detailed textures, photorealistic style.

Raw mobile phone footage, vertical handheld shot, shaky cam, grainy texture. At the legendary Rucker Park basketball court at dusk, a heavy-set elderly woman in a floral dress and sneakers is dribbling a basketball against iShowspeed (a influencer), athletic streetballer in a jersey. The lady performs a lightning-fast crossover dribble, blowing past the stunned defender (iShowspeed). She suddenly drives to the hoop and performs a powerful, explosive two-handed slam dunk, hanging on the rim briefly. The surrounding crowd of teenagers and streetball fans goes wild, storming the court in a chaotic celebration. Lens flares, motion blur, authentic street lighting, high energy, viral social media video aesthetic.

An empty suburban shopping mall at dusk, soft pink and yellow sunset light spills through the skylight, glossy floors reflect old arcade lights, a lone young woman in vintage casual clothes walks slowly through the silent corridor, distant escalators move with no one on them, a children’s coin ride blinks softly in the background, dreamy nostalgic atmosphere, slightly uncanny but beautiful, slow cinematic push-in, liminal space aesthetic, soft haze, gentle camera drift, familiar but strange, no horror elements, no face distortion, no extra people appearing, ultra-detailed.

Vertical TikTok-style video of anthropomorphic fruit characters in a glossy 3D animated world, performing a dramatic romance or relationship scene like a viral love reality show. The main fruit character has big expressive eyes, small limbs, vivid facial emotions, and cute but exaggerated acting. Social-media-style and dramatic zoom-ins, over-the-shoulder shots, reaction cuts, and emotional close-ups. Bright saturated colors, soft studio lighting, polished cartoon 3D textures, highly stylized and visually playful. The characters flirt, argue, confess, gossip, get jealous, or react to relationship drama in a funny and exaggerated way. Tone is cute, chaotic, emotional, comedic, and addictive to watch. User can add custom fruit characters, setting, storyline, dialogue, or twist. An anthropomorphic Strawberry lady confronts Banana man after discovering them with Orange lady soaking in pool. Strawberry lady feels betrayed and emotional, Banana man becomes nervous and defensive, and Orange lady acts confident or provocative. Dramatic reaction shots, emotional close-ups, fast-paced reality-show energy, bright saturated colors, glossy cartoon textures, expressive facial animation, lip-sync dialogue, chaotic romantic tension. Strawberry lady says to Banana man: “You poor man ! You live my house, drive my cars, use my money,! How dare you cheat me! How dare you spend my money to others!” The banana man get embarrassed after this and says “Im using my money” The orange lady figured out she was cheated by the banana man, says to him angerily “You lier! You told me you are single. Go to hell!”.

SUBJECTS: A male street dance expert, white buzz cut, wearing small gold hoop earrings and a gold rope chain. Dressed in a dark brown hoodie, a pure white crew neck shirt underneath, dark brown loose pants, and white sneakers. ENVIRONMENT: Pure seamless background, slightly cool gray tone, clean space with no distractions. STYLE: cinematic realism, studio dance film, high contrast clean lighting Timeline 0:00-0:02: Full body, 24mm, low-angle fast push-in The dancer bursts directly into motion at high speed, right foot stomping the ground while the body performs a powerful rotation, left leg sweeping wide to create large spatial displacement, upper body hits and releases in sync 0:02-0:03: Full body, 28mm, tracking side move He performs continuous large cross steps and sliding combinations, feet rapidly crossing while driving lateral movement, the jacket swings with strong inertia from the motion 0:03-0:05: Full body, 28mm, orbit He transitions into continuous rotating footwork, rapidly switching pivot points with both feet to achieve multiple directional changes, forming an arcing trajectory in space 0:05-0:06: Low angle, 24mm, forward pressure He suddenly drops low, one hand touching the ground for support, quickly transitioning into floor movement 0:06-0:07: Low near-ground angle, 24mm, tracking Both legs sweep rapidly to complete a full power sweep rotation, the body forming a high-speed circular motion around the supporting arm, then using the momentum to spring back up 0:07-0:08: Full body, 28mm, tilt up He explosively rises from the ground, landing on both feet and immediately executing a full-body wave, while continuing to move forward 0:08-0:10: Half body to full body, 35mm, forward tracking He enters a high-speed pop locking sequence, upper body locking precisely on beats while the footwork continues to move and shift directions, increasing motion density 0:10-0:12: Full body, 28mm, pull back to open space He transitions into larger groove and jumping step combinations, steps becoming wider while still precisely on beat, body remains fully extended 0:12-0:14: Low angle, 24mm, fast push-in He suddenly accelerates, stomps the ground with his right foot to launch upward, performing a fast aerial rotation while fully extending his limbs 0:14-0:15: Full body fully in frame, 35mm, slight push-in lock He enters a one-hand support freeze mid-air while maintaining motion inertia, body fully extended horizontally, legs stretched into clean lines, the entire figure fully visible in the frame

{ "shot": { "composition": "POV time-freeze with hands moving through frozen environment", "lens": "ultra-wide cinematic lens with subtle distortion", "camera_movement": "slow walk, precise hand movements, sudden time release burst" }, "subject": { "description": "person moving while everything else is frozen mid-action", "wardrobe": "hands visible", "props": "frozen people, objects mid-air, suspended debris" }, "scene": { "location": "busy city street"

SUBJECT: A Girl with blonde hair ENVIRONMENT: Messy room → mirror → wardrobe → door → street → gym → weights → mirror → treadmill → sweat → exit → street → home → mirror → room MOOD ARC: Insecure → determined → intense → confident SHOT CHANGES: • Shot 11: exits gym, posture visibly stronger • Shot 12: walking back with confidence • Shot 13: entering same room as start • Shot 14: mirror shot matching first frame • Shot 15: subtle confident smirk, transformation complete

A normal open-plan office in bright daylight, people typing at desks and walking naturally, then a giant elegant goldfish suddenly swims through the air between the desks as if the entire room were underwater, papers float gently, office workers pause and stare in amazement, whimsical surrealism, playful and visually delightful, smooth lateral tracking shot, light beams, floating dust, absurd but charming, highly shareable, no fear, no chaotic crowd glitches, no warped fish anatomy.

A modern city street at sunset, people and cars move normally for a brief moment, then a gigantic ocean wave suddenly rises between the buildings and rushes forward in the first second, water reflecting golden light, dramatic scale contrast, fast wide-to-close cinematic move, visually shocking, realistic lighting, no warped buildings, no duplicate people.

WARDROBE: Sleep tee and lounge shorts at home. Tailored jacket, fitted top, trousers, and lace-up shoes outside. ENVIRONMENT: Tiny apartment, bright fridge glow, rain-dusted hallway, chrome metro, clean office, then a bedroom in cool window light. Everything feels glossy and lived-in. MOOD: Late-for-work panic, clipped momentum, breathless urgency, then an exhausted exhale. MUSIC: Fast percussive electro-pop COLOR LOGIC: Hyperreal Pop Look STYLE: Ultra-Realistic. LOGIC RULE: Keep logical consistency in wardrobe, props, locations, and action continuity across all shots. SHOT 1: ECU, 85mm push-in / 06:50 on the phone screen as it shakes on rumpled sheets. / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a soft sleep tee and lounge shorts. / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light. / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm rack focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth, hand relaxed and upright, mint foam and mirror eye. / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue fridge light framing a hurried grab for breakfast ingredients. / SFX: fridge hum, bottle clink, shelf rattle. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into eggs and toast hitting the pan under warm practical light. / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair. / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird's-eye insert, 35mm overhead / Cut on action into striped socks snapping on. / SFX: fabric stretch, heel tap. SHOT 9: MS, 35mm pivot / Camera wipe into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket, then her tote, keys, and transit card get scooped up in one messy grab. / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull. / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallax / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment door into corridor light without breaking stride. / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide into 85mm push-in / Sound bridge into the metro car interior only as she grips the pole, shifts with the carriage sway, checks the passing station lights, and snaps a tense glance toward the closing doors, reflected chrome streaking around her and the city smearing outside the window. / SFX: rail clatter, carriage screech, door warning chime, tight breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through fast before the chair roll and laptop open. / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into fingers racing across keys, chat windows blinking, coffee by the trackpad, and notifications stacking faster than she clears them. / SFX: keyboard burst, notification ticks, mouse click. SHOT 15: WS, 50mm pull-out / L-cut with a match from laptop close to apartment re-entry as the jacket drops, work clothes peel away, and she changes back into sleepwear before collapsing into bed in the opening frame shape. / SFX: door shut, bag drop, fabric rustle, blanket rustle, room tone.

A luxury skincare product commercial, a frosted glass serum bottle standing on a reflective black surface surrounded by soft mist and floating water droplets, the bottle slowly rotates as a beam of light sweeps across the logo, macro close-up of liquid texture inside the bottle, then a smooth orbit shot reveals elegant ripples spreading outward, glossy highlights, premium beauty advertising aesthetic, clean composition, refined pacing, cinematic studio lighting, realistic reflections, polished surfaces, shallow depth of field, sophisticated and minimal, no label distortion, no duplicate bottles, no warped cap, ultra-realistic, commercial-grade.